The Prodigal Son

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The Prodigal Son stands as a testament to Rodin's penchant for reworking familiar themes and motifs. The figure originated from a character in Rodin's 'Ugolino' series, featuring an identical head and torso. Rodin then transplanted the limbs of this figure onto a fleeing female form, crafting the group 'Fugit Amor' (Love Flees) for the 'Gates of Hell' bronze portal and doors designed by Rodin for the Museum of Decorative Arts in Paris in 1880. Finally, in 1894, it was unveiled as a standalone sculpture with the title 'The Child of the Century'. The figure embodies Rodin's pursuit of dramatic expression in the 1880s. Rodin himself described his work: "I emphasized the protrusion of muscles to convey distress... I exaggerated the tendons that mark fervent prayer." The title 'The Prodigal Son' draws from the biblical parable of a son who, having squandered all his wealth, returns home and throws himself at his father's feet, begging for forgiveness. Other titles it has been known by include 'The Prayer of the Abandoned Child' and even 'The Dying Warrior'. Given to the Victoria and Albert Museum in 1914, this object is part of "Scan The World". Scan The World is a non-profit initiative launched by MyMiniFactory, aimed at creating a digital archive of fully 3D printable sculptures, artworks, and landmarks from around the world for public access. Scan The World is an open-source community effort, if you have interesting items nearby and would like to contribute, email stw@myminifactory.com to find out how you can help. Courtesy of the Victoria and Albert Museum, London