The Poet and the Contemplative Life (The Fenaille Column)
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Rodin aspired to match Michelangelo's stature in modern sculpture, nearly achieving it with his unparalleled range and ambition. No 19th-century figure rivaled him in scope or scale, making a comprehensive European sculpture history impossible without inclusion. Rodin defied Baudelaire's essay "Why Sculpture is Boring" by revitalizing figural art just as the Impressionists transformed France's pictorial landscape. Despite this, Rodin's work owed more to Renaissance and Baroque traditions due to sculpture's conservative and craft-based nature, a stark contrast to Impressionist painting's innovations.
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