The Freed Man at The Amon Carter Museum in Fort Worth, Texas

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Amon G. Carter's personal collection of sculpture boasted over 100 works by Remington and Russell in materials ranging from bronze to wax and plaster. But in its first decade, the museum actively collected a broader range of American sculpture. Today, the collection houses works by Alexander Calder, Augustus Saint-Gaudens, Elie Nadelman, Louise Nevelson, and Hiram Powers. Beyond its collection of over 100 sculptures by Frederic Remington and Charles M. Russell, the Amon Carter Museum's holdings of American sculpture include landmark works by luminaries such as Henry Kirke Brown, Daniel Chester French, Paul Manship, Elie Nadelman, and Augustus Saint-Gaudens. Later twentieth-century artists represented in the collection are Alexander Calder, Robert Laurent, and Louise Nevelson. This piece is Ward's depiction of a seminude African-American man, inspired by President Abraham Lincoln's Emancipation Proclamation issued on September 22, 1862. Contemporary appreciation for "The Freedman" arose from the desire for statuary that addressed current issues in straightforward terms rather than through allegories. The muscular figure was executed with remarkable attention to anatomical accuracy. Broken manacles on the former enslaved man's left wrist and in his right hand offer a succinct commentary on the chief political and moral topic of the era, clearly proclaiming Ward's abolitionist sentiments. (Credit: Amon Carter Museum, Met museum) This object is part of "Scan The World." Scan the World is a non-profit initiative introduced by MyMiniFactory, through which we are creating a digital archive of fully 3D printable sculptures, artworks, and landmarks from across the globe for the public to access for free. Scan the World is an open source community effort; if you have interesting items around you and would like to contribute, email stw@myminifactory.com to find out how you can help. Scanned: Photogrammetry (Processed using Agisoft PhotoScan)