The Archangel Gabriel

myminifactory

This figure, likely crafted alongside St Michael at the V&A collection, probably originated from a large pulpit or tomb. Various workshop assistants might have contributed to each figure's creation. The tubular folds on Gabriel's robe were fashioned using a 'running drill' technique: a series of holes was drilled and the intervening spaces removed. These objects hold historical importance due to their scarcity and exceptional quality. Outside Italy, examples of Tuscan carving from this period are rare, particularly those which formed part of a larger architectural design. The high level of craftsmanship displayed (as discussed in the Curator's notes) is also evident in some areas. By examining the objects independently, viewers gain a unique understanding of how they were carved. Drill holes and techniques employed at the time become clearly visible. These artifacts are crucial for establishing the canon of Tuscan sculpture carving. Although their attribution has been disputed since arrival at the museum, with differing opinions, it is clear that they are connected to Nicola Pisano's workshop and contribute to discussions about different hands within that workshop and its possible output.