S. Felice resuscitating a newborn

myminifactory

The extensive holdings of the Accademia di San Luca exhibit a diverse character due to their varied origins and types. These artworks, highly valued for their historical and artistic significance, span from the 15th century to the 20th century. The largest contingent consists mainly of pieces from the 17th and 18th centuries. The academy's collections comprise over one thousand paintings and three hundred sculptures, along with approximately five thousand five hundred drawings and a collection of prints and medals. However, the current number of works housed in Palazzo Carpegna does not account for all items that have become part of the academic legacy over time, some of which have been lost or dispersed throughout the centuries. The eclectic nature of the academy's collections can be attributed to their gradual accumulation through donations and gifts from both academic and private collectors. Works obtained through competitions held by the academy and those used for educational purposes also contribute to this diversity. Moreover, a significant portion of the collection originated from the Pinacoteca Capitolina. The oldest statutes of the society dictate that upon appointment, each member must leave an art piece as a gift to the academic collections ( "pièce de réception", entrance gift). Furthermore, it is required of every academic year to submit their own portrait. This tradition has resulted in the creation of a gallery since the 17th century, which took on a more defined form during the 18th century. Among the most notable works housed within the academy's collections are several masterpieces, including a detached fresco attributed to Raphael, who is also believed to have painted St. Luke painting the Madonna; Jacopo Bassano's The Annunciation to the Shepherds; Van Dyck's Virgin and angels; Rubens' Nymphs crowning the Bountiful; Piazzetta's Judith and Holofernes; Federico Zuccari's self-portrait; Pietro Bernini's portrait, attributed to his son Gian Lorenzo; and Algardi's sculptures. These works are displayed in part within the gallery located on the third floor of Palazzo Carpegna, as well as in academic halls, secretariat offices, the conference room situated on the noble floor, Sarti Library, and historical archives found on the second floor. The remaining items are stored in deposits situated on the ground floor and along the helical ramp.