Peasant Nursing a Baby

myminifactory

According to M. Dreyfous in Dalou: Sa Vie et Son Oeuvre, this composition was based on a group entitled Juno Suckling the Infant Hercules, which the artist later destroyed. Two slightly reduced versions of this composition exist, one in the Hermitage, St Petersburg, and the other also in the V&A (Museum no. A.27-1912). The slight reduction in size suggests they were cast from a mould taken from this piece, but may have been reworked by the artist. There are several small-scale versions of this group. A terracotta (height 45 cm) is signed and dated 1872. It's possible that this is the original sketch model as it's the earliest dated version of the group. Another terracotta is in the Fitzwilliam Museum, Cambridge (dated 1873; height 49 cm), and two others are in private collections. A plaster version is in the Petit Palais, Paris (height 52 cm). This was the model for editions by Susse Frères in bronze and Sèvres in biscuit porcelain (no. 1045). A marble version of the same group, probably a workshop piece (height 94.5 cm), was sold by Matthiesen's, London, in 1955 to an English private collection. From there it passed in 1986 to a French private collection. An engraving of this composition was made by Achille-Isodore Gilbert and published in 1876 in an article about the London art world in L'Art. A drawing, also a mirror image, was then made from this engraving by Vincent Van Gogh. Dalou (1838-1902) was born to a glove maker and initially trained in drawing at the Petit École in Paris. He was encouraged to pursue sculpture there. In 1854 he entered the École des Beaux-Arts, where he trained for four years. Dalou was known for his left-wing political sympathies and involvement in the establishment of the Paris Commune in 1871. After being overthrown, Dalou was forced into exile in London, where he lived from 1871 until his return to Paris in 1879. In London, he frequently exhibited at the Royal Academy and held a teaching appointment at the National Art Training School in South Kensington (later the Royal College of Art), profoundly affecting the development of British sculpture. This object is part of "Scan The World", a non-profit initiative introduced by MyMiniFactory. We're creating a digital archive of fully 3D printable sculptures, artworks and landmarks from across the globe for public access free of charge. Scan the World is an open source community effort. If you have interesting items around you and would like to contribute, email stw@myminifactory.com to find out how to help. Courtesy of the Victoria and Albert Museum, London