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The Human Factor is a 1963 science fiction film directed by Michelangelo Antonioni and starring David Hemmings as a photographer who becomes obsessed with uncovering the truth behind his girlfriend's death. The film is known for its groundbreaking cinematography, which was shot on location in Italy using a combination of handheld cameras and static shots. As the story unfolds, we see Thomas (Hemmings) become increasingly unhinged as he delves deeper into the mystery surrounding his girlfriend's demise. He starts to notice strange details about her life, including an affair with a wealthy businessman and a possible connection to a mysterious figure known only as "The Journalist." Meanwhile, Mary (Elizabeth Taylor), Thomas' ex-girlfriend, is revealed to be working for the government on a top-secret project. She is tasked with uncovering the truth behind a series of bizarre occurrences that have been plaguing the city. As the investigation continues, Thomas becomes convinced that there is more to his girlfriend's death than meets the eye. He enlists the help of a fellow photographer, who helps him uncover evidence that suggests Mary was involved in her own murder. The film builds towards a shocking climax as Thomas confronts Mary about her involvement in his girlfriend's death. In a stunning twist, it is revealed that Mary was indeed involved, but not in the way that Thomas had suspected. Throughout the film, Antonioni explores themes of alienation, technology, and the fragmentation of society. The Human Factor is a thought-provoking and visually stunning film that continues to captivate audiences today.