Man and Woman (Mann og Kvinne)

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The sculpture presents a seated man embracing a huddled, frail woman on his lap. His arms encircle her as he bends forward, his forehead touching hers. It appears that these two nude figures are forging a bond of love, comfort, and protection. Gustav Vigeland crafted Man and Woman in 1905. A bronze casting was displayed at Blomqvist's the following year, prompting art historian Carl W. Schnitler to write an extensive newspaper article. Schnitler argued that the sculpture might initially appear grotesquely repulsive, yet it represented a complete departure from classical beauty standards. He contended that Vigeland's works were characterized by vitality, character, and contemplation. Multiple versions of this theme exist, each distinct in form and appearance. The National Museum's version, created when Vigeland favored naturalistic depictions, features slender forms and detailed anatomical details. At the same time, the sculpture's irregular surface adds light and movement as it reflects the surrounding illumination. In the same year that Vigeland designed Man and Woman, he developed plans for the fountain that would become the core of Vigeland Park in Oslo. The sculpture's style resembles early fountain sculptures, and the relationship between men and women is a central theme throughout the park's works. This object was scanned by John Greenstone, Norway