Madonna of Michle

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The statue showcases a quintessential style reminiscent of West European flair, characterized by richly draped robes in a linear phrasing structure. This distinct approach originated in central France, where it was refined through the artistic school of Strasbourg in the Central Rhineland region. The faces depicted on the statue hint at possible connections to Bohemian surroundings, suggesting that its creator may have been influenced by this environment. Furthermore, historical records indicate that the artist likely hailed from either the Danube region or Southern Germany, adding a fascinating layer of cultural diversity to the work's origins. Scholars believe that the sculpture's activity coincided with the early years of Charles IV, underscoring the significance of this piece within the broader context of Central European art during that period. In fact, the woodcarver's remarkable skills are not only attributed to Bohemian craftsmen but also to artists from adjacent regions such as Upper Austria and Cracow, highlighting the statue's status as a true masterpiece of regional collaboration.