Hellenistic Male Head 1 at The British Museum, London

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In Cypriot sculpture, a purely Greek style gradually became common from roughly 350 BC, hastened by Alexander the Great's conquest in 333 BC. Nonetheless, a late Classical Greek style persisted until around 200 BC, often making precise dating of statues challenging. This male statue is among the earliest within the local Hellenistic tradition. The wreath indicates that the man depicted is a worshipper. Although realistic, this bust may not be a portrait of an actual individual. From All Dali Sanctuary of Apollo-Reshef. The Hellenistic period spans ancient Greek (Hellenic) history and Mediterranean history between Alexander the Great's death in 323 BC and the Roman Empire's emergence as signified by the Battle of Actium in 31 BC, along with the subsequent conquest of Ptolemaic Egypt the following year. Hellenistic art witnessed a shift from idealistic, perfected, calm, and composed figures of classical Greek art to a style dominated by realism and the depiction of emotion (pathos) and character (ethos). The motif of deceptively realistic naturalism in art (aletheia) is reflected in stories such as that of painter Zeuxis, who was said to have painted grapes that seemed so real that birds came and pecked at them. The female nude also became more popular, epitomized by the Aphrodite of Cnidos of Praxiteles, while art in general became more erotic (e.g., Leda and the Swan and Scopa's Pothos). The dominant ideals of Hellenistic art were those of sensuality and passion. People of all ages and social statuses were depicted in the art of the Hellenistic age. Artists such as Peiraikos chose mundane and lower-class subjects for his paintings. According to Pliny, "He painted barbers' shops, cobblers' stalls, asses, eatables, and similar subjects, earning for himself the name of rhyparographos (painter of dirt/low things)." In these subjects, he could give consummate pleasure, selling them for more than other artists received for their large pictures." Even barbarians, such as the Galatians, were depicted in heroic form, prefiguring the artistic theme of the noble savage. The image of Alexander the Great was also an important artistic theme, and all of the diadochi had themselves depicted imitating Alexander's youthful look. A number of the best-known works of Greek sculpture belong to the Hellenistic period, including Laocoön and his Sons, Venus de Milo, and the Winged Victory of Samothrace. This object is part of "Scan The World". Scan the World is a non-profit initiative introduced by MyMiniFactory, through which we are creating a digital archive of fully 3D printable sculptures, artworks, and landmarks from across the globe for the public to access for free. Scan the World is an open-source community effort; if you have interesting items around you and would like to contribute, email stw@myminifactory.com to find out how you can help.