Four Captives_Richelieu wing Louvre

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Captured from 96 photographs, reality's captives stand tall, four larger-than-life bronze figures, each one a symbol of the four nations defeated at the Treaty of Nijmegen. Four distinct faces represent different stages of life and contrasting attitudes towards captivity. Spain, a young man with smooth skin and wild hair, embodies hope. His naked body rises upwards, eyes fixed on the heavens, radiating optimism. The Holy Roman Empire, an elderly figure clad in ancient robes, personifies resignation. His head hangs low, his body slumped in defeat, conveying a sense of despair. Holland, a young man with virile features and a short beard, exudes rebellion. His naked form is poised to spring into action, shoulders thrust forward in defiance, while his wild expression speaks volumes about resistance. Brandenburg, a mature figure dressed as an ancient barbarian, represents a complex mix of age and attitude towards captivity.