Diana at The Louvre, Paris

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In ancient Roman mythology, Diana emerged as a powerful goddess, commanding reverence for her dominion over the hunt, the moon, and childbirth. Her association with wild animals and woodland landscapes only added to her mystique, as she possessed the extraordinary ability to communicate with and control all creatures. A direct counterpart to the Greek goddess Artemis, Diana nonetheless maintained an independent origin in Italy, showcasing her unique character. Diana was deeply revered in ancient Roman religion and continues to be worshipped by modern followers of Roman Neopaganism and Stregheria. Her significance is also reflected in Dianic Wicca, a feminist practice that bears her name and honors her as the virgin goddess of childbirth and women's empowerment. Alongside Minerva and Vesta, Diana formed an unbreakable bond with her fellow maiden goddesses, vowing to remain forever chaste. Oak groves held a sacred place in Diana's mythology, echoing the reverence she inspired within the Greek pantheon and their deity Artemis. According to legend, Diana was born alongside her twin brother Apollo on the island of Delos, the offspring of Jupiter and Latona. This mythological birthright cemented her status as a member of a revered triad, joined by Egeria, the water nymph who served as her loyal assistant and midwife, and Virbius, the woodland god. Crafted between 1693 and 1694 by Alselme Flamen, this sculpture stands as a testament to Diana's enduring legacy. Commissioned for the Parc de Marly, it was initially displayed there before finding its permanent home at The Louvre in Paris, where it remains on display for all to admire.