Amor patriae. Allegory symbolizing patriotism

myminifactory

In 1776, King Christian VII of Denmark introduced groundbreaking nationality laws, mandating that Government posts and public offices be held exclusively by citizens born in Denmark. The following year, C.F. Stanley was appointed professor at the prestigious Royal Danish Academy of Fine Arts, a position reflecting his growing commitment to national identity and history. His sculpture from that same period embodies this sense of patriotism, as does his newly acquired Danish citizenship. The title "Love of one's country" echoes the king's motto, "Honour through love of one's country," while the artwork symbolically depicts honour as the reward for patriotic actions. Standing proudly beside his armour, shield, sword, and arrow, the allegorical figure triumphantly tramples another sword underfoot. In recognition of these noble deeds, he wears two laurel wreaths, symbols of honour. This iconic piece can be interpreted both as a powerful symbol of patriotism and an idealized representation of the patriotic citizen. During his time in Rome in the 1760s, Stanley was deeply influenced by discussions on the ideal physique and societal structure. The figure's classical pose, heroic musculature, and carefully proportioned features suggest that the late absolute monarchy had created a new breed of ideal subjects, one that embodied the values of the era.