
3D Shadow - Tree 54
3docean
How many times have you struggled to create a realistic shadow while working on your design? How often have you tried to extract a shadow from a real object, only to be left disappointed? Shadows can be notoriously difficult to manipulate because they're not solid entities. That's why we've developed 100% transparent shadows with Ambient Occlusion, making it easier than ever to achieve a realistic look for your project. Whether you're a designer, cartoon artist, visual effects artist, compositor, or 3D artist, our shadows are designed to make your job simpler and more efficient. They contain everything you need to create a professional-looking shadow that will elevate your design. Our images were rendered at an incredibly high resolution of 2000×2000 pixels with 16-bit depth per channel to prevent banding. We then cropped them to reduce file size and ensure they fit perfectly within the content ratio. Shadows were captured from multiple angles - 25°, 45°, and directly overhead - in various directions. We also created two versions of each shadow: one hard for sunny scenes and another soft for cloudy conditions. These shadows are perfect for use in both 2D and 3D projects and are completely noiseless. Choose the one that suits your design best and apply it to the object. Then, simply use a deformer tool like the "Transform" tool in Photoshop or the "Corner Pin" effect in After Effects (or its equivalent in any other software) to deform the shadow. You can also mix and match between hard and soft shadows as needed, depending on the lighting conditions of your scene. With our shadows, you'll never have to worry about them changing again. To learn how to use these incredible shadows, check out the tutorials below: Adobe After Effects Tutorials: Tutorial 1: https://www.youtube.com/watch?v=hD_z2RFUjb0 Tutorial 2: https://www.youtube.com/watch?v=3rbJ6y9EZNQ Adobe Photoshop Tutorials: Tutorial 1: https://www.youtube.com/watch?v=b4HVW81nbl0 Tutorial 2: https://www.youtube.com/watch?v=dNoA0GdqJ6s
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