roman candle 3d models

This sculpture honors a Roman period martyr named Saint Valerie who boldly refused to marry a Pagan and was subsequently beheaded. Immediately after her execution, she carried her head to the bishop who welcomed her as a martyr. The most striking...

... the Acropolis during the Great Panathenaia, which commemorates the birthday of the goddess Athena. Numbering based on I. Jenkins' work "The Parthenon Frieze" (1994). Frieze slabs are marked with Roman numerals; people are marked in Arabic numerals.

... that took place during the Great Panathenaia, commemorating the birthday of goddess Athena. Numbering taken from I. Jenkins' book, The Parthenon Frieze (1994). Frieze slabs are marked in Roman numerals, while people are marked in Arabic numerals.

... the Acropolis during the Great Panathenaia, the commemoration of the birthday of the goddess Athena. Numbering taken from I. Jenkins, The Parthenon Frieze, 1994. Frieze slabs are marked in Roman numerals, and people are marked in Arabic numerals.

... procession toward the Acropolis during the Great Panathenaia, commemorating the birthday of the goddess Athena. Numbering taken from I. Jenkins, The Parthenon Frieze (1994), with frieze slabs marked in Roman numerals and people in Arabic numerals.

... Acropolis that took place during the Great Panathenaia, commemorating the birthday of the goddess Athena. Numbering taken from I. Jenkins' The Parthenon Frieze (1994), where frieze slabs are marked in Roman numerals and people in arabic numerals.

Minerva is the Roman goddess identified with Athena. Athena is known for her calm temperament, as she moves slowly to anger. She is noted to have only fought for just reasons, and would not fight without a purpose. Athena is portrayed as an astute...

... the Great Panathenaia, commemorating the birthday of the goddess Athena. Numbering taken from I. Jenkins' book "The Parthenon Frieze," published in 1994. Frieze slabs are marked with Roman numerals while people are denoted using Arabic numerals.

... the Acropolis that took place during the Great Panathenaia, the commemoration of the birthday of the goddess Athena. Numbering taken from I. Jenkins, The Parthenon Frieze, 1994. Frieze slabs are marked in Roman numerals, people in Arabic numerals.

Colonna Venus (Aphrodite of Knidos) The Colonna Venus is an exceptional Roman Imperial Period replica of the renowned Aphrodite of Knidos sculpted by Praxiteles, a masterful Attic artist. Although the statue stands as a high-quality copy, most...

... towards the Acropolis during the Great Panathenaia, the commemoration of Athena's birthday. Block numbering follows I. Jenkins' "The Parthenon Frieze" (1994), with frieze slabs marked in Roman numerals and people denoted by Arabic numerals.

This large pack includes many types of historically accurate amphorae from the ancient world, mostly Greco-roman. These are designed to be used for 28mm scale miniatures and dioramas but as one of the images shows, it is possible to upscale them...

The Romans eventually removed it from the Parthenon in the 5th century AD, and its subsequent whereabouts remain a topic of ongoing debate. A detailed account of the statue's appearance can be found in the writings of the esteemed historian...

... that took place during the Great Panathenaia, the commemoration of the birthday of the goddess Athena.Numbering taken from I. Jenkins, The Parthenon Frieze, 1994. Frieze slabs are marked in Roman numerals, People are marked in Arabic numerals.

... hieroglyphic signs find close parallels on objects from el-Hiba. The hieroglyph form and the mistakes, which are proof of a poor understanding of the text, date the object to the Late Ptolemaic or Early Roman period and suggest a provincial origins.

This Roman gens Aurelii Cottae transferred their family to Padua, with Lucius Aurelius Cotta becoming prefect of the Reno region near Bologna. His descendants continued this position and added the cognomen Reno, becoming Cotta Reno or Cottareno. The...

and then maybe a roman styled sword after haven't decided.EDIT it took one day and have gone with the Hand and a Half size with the rounded pummel, it just feels right. now time for gluing, sanding, filling, sanding, painting, sanding, painting then...

As one of many copies made of the Aphrodite of Cnidus during the Hellenistic and Imperial periods, this head displays a distinctive tilt to the left, chignon, and hair treatment in waves divided equally on either side of a central part, reminiscent...

The deceased woman is portrayed in the style used by sculptors in this affluent Arab region under Roman rule, which developed an original local culture. The epitaph on the side of the stele illustrates the blending of Hellenistic and Arab cultures in...

... the Acropolis during the Great Panathenaia, the commemoration of the birthday of the goddess Athena. Numbering taken from I. Jenkins, The Parthenon Frieze, 1994. Frieze slabs are marked in Roman numerals, people are marked in Arabic numerals.

... The program, which took its name from Roman mythology, cost $2.38 billion (adjusted for inflation).[1][n 2] The astronauts were collectively known as the "Mercury Seven", and each spacecraft was given a name ending with a "7" by its pilot.

This classical subject, a common theme among Roman sculptors at the time, was prevalent due to its timeless appeal. The Venetian master accepted Gibson into his academy upon his arrival in the Eternal City at 27 years old. While copying classical...

In ancient times, it remained an important symbol, persisting even into Roman times when it frequently appeared on magical talismans, often paired with other symbolic emblems. The 4th-century AD Latin commentator Servius acknowledged its use by...

... that took place during the Great Panathenaia, the commemoration of the birthday of the goddess Athena. Numbering taken from I. Jenkins, The Parthenon Frieze, 1994. Frieze slabs are marked in Roman numerals, people are marked in Arabic numerals.

Larger cranes were later developed in the Roman Empire, employing the use of human treadwheels, permitting the lifting of heavier weights. In the High Middle Ages, harbour cranes were introduced to load and unload ships and assist with their...

... Acropolis during the Great Panathenaia, commemorating the birthday of goddess Athena. Block numbers are taken from I. Jenkins' "The Parthenon Frieze," 1994. Frieze slabs are marked in Roman numerals, while people are numbered in Arabic numerals.

The statue has sometimes been thought to be a replica, freely inspired by an original from the late 4th century BC, due to its resemblance to the Aphrodite of Capua (Museo Archeologico Nazionale, Naples) — a similar style Roman work, copy of a Greek...

Roman-era heads constructed out of several pieces often featured painted hair, lips, eyes, and clothing to conceal joints and fillings, offsetting any aesthetic drawback. The technique was a result of economic, social, and technical factors:...

Roman mythology adopted the tale of the Raptus, also known as "The Abduction of Europa" and "The Seduction of Europa," substituting the god Jupiter for Zeus. The myth of Europa and Zeus may have originated in a sacred union between the Phoenician...

... Saint George, a courageous Roman officer, had just crossed into Trebizond, a land plagued by a terrifying dragon demanding human sacrifices to satiate its hunger. The chosen victim that day was the beautiful princess, destined for a gruesome fate.