iskandar khayon 3d models

I've crafted a humble adaptation, driven by my admiration for the Talon of Horus and the captivating persona of Iskandar - he richly deserves this modest homage.

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Calculations were done with 3dsmax, so don't anticipate being the same size - a re-scale may be necessary. The design was created using my TEVO Tarantula, measuring out to a radius of 17cm, which means it needs to be adjusted down to 15cm in length...

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Secretive Night Wolf Operations General Iskandar Conducts Mission Briefings at Midnight Sharp Elite Operative General Iskandar Commands Top Secret Unit Known as the Night Wolves Advanced Virtual Avatar Designations For Enhanced Game Interactions...

Iskandar frequently proclaims, "I am both potter and gardener." His dedication to gardening and his plants is extensively documented. Flower Vase showcases Dr. Iskandar's love for nature and gardening combined with his respect for Nordic pottery...

He adds poetically that porcelain's fragility seemed "almost like shards of my memories." Dr Iskandar candidly admits it was a grueling experience working with porcelain due to its limited plasticity and exacting demands, and most of all because it...

He praises porcelain for producing bowls "so thin they are filled with light" and which "vibrate" as if they were "made for some sacred purpose." He adds poetically that porcelain's fleeting nature seemed "almost like fragments of my memories."...

He poetically captures porcelain's fleeting nature, likening it to "shards of my memories." Despite his admiration, Dr Iskandar reveals the challenges he faced working with porcelain - its low malleability and demanding requirements made it a...

Dr Iskandar sheds light on porcelain through his writings, extolling its virtues as producing bowls "so thin they're filled with light" and which "vibrate" as if made for a sacred purpose. He describes porcelain's ephemerality poetically, likening...

Essentially, Dr Iskandar was distinguishing between wheel-formed pottery and hand-built slab constructions like those showcased in Slab Work. In this piece, Dr Iskandar crafts a constant tug-of-war between structure and freedom. The expressive,...

Iskandar's Tall Bottle is the antithesis of the uniform, clear bottles that proliferate in modern households. It is instead a singular flask that is hefty, organic and rugged – appearing as if it has withstood the rigors of use over time. Its...

In this piece, Dr Iskandar gives the alabastron a modern twist, utilizing his 'exposed coil' and resist techniques that create grooves, textures, and crisscrossing lines on its surface. ...The shape and visible 'coil' patterns clearly indicate that...

While Dr Iskandar's bowls pay homage to the master of porcelain, the late David Leach, they assert their own eccentric identity that diverges significantly from Leach's restrained style. \nDr Iskandar's bowls are uniquely individualistic and refuse...

Iskandar's masterful handwriting is evident in his handwritten 'clay diaries', showcasing his deep appreciation for the beauty of written words. As Singapore's only potter to extensively explore typography in modern ceramic art, Dr. Iskandar has made...

A straightforward form, modest, extremely earthy, practical, traditional, and ritualistic in concept yet it dominates every aspect of our culture, faith, social life, and even...our most modern daily routines." Encounters with various clay...

Works inspired by Dr Iskandar's family hold a cherished place in his practice, deeply intertwining autobiographical elements with his affinity for Japanese aesthetics rooted in wabi sabi. Old Age is a whimsical portrait of Dr Iskandar and his wife...

While Dr Iskandar's collection of bowls honors the master of porcelain, David Leach, it nonetheless proclaims its own carefree character that is distinct from Leach's refined and measured approach. Dr Iskandar's bowls are unique and unpredictable.

Leotards showcases Dr Iskandar's playful approach to figurative sculpture. By skirting around full-body representations, he creates forms that hint at human anatomy or garments draped on the body. His sculptural vessels draw inspiration from Balinese...

Dr Iskandar has a strong affinity for vessels that embody the Japanese concept of shibui, which involves reverence and discernment of beauty in unassuming things. He finds this quality in medieval or ancient kilns' wares like tanbayaki (tamba ware)...

... stepping on sinuous, tubular forms. Cobalt and barium glazes were used to produce his signature 'Iskandar blue.' He named this work after Finland's capital as a tribute to time spent with a Finnish artist who was renowned for sculpting legs.

The teapot is an indispensable vessel in Dr Iskandar's practice, exuding elegance and refinement. This sleek black teapot boasts a cylindrical body that elegantly flares at its base. A polished metal handle attaches to the pot through two prominent...

Satay Set embodies Dr Iskandar's passion for creating ceramic-ware that perfectly captures the essence of Singapore's 'food culture'. This stoneware set was specifically designed for satay - a classic dish of marinated meat skewers grilled over...

Dr Iskandar's extensive sketches and architectural notes have inspired and shaped many of his pottery forms, including mosque arches, towers, domes, and temple gateways. The impetus behind this piece lies not in replicating a structural form or...

Dr Iskandar observed various versions of this vessel across Asia – the wajan in Indonesia, kawali in the Philippines, chūkanabe in Japan, and karahi in India. These two kuali pieces were inspired by the sight of coffee beans being roasted in kualis...

... In his playful interpretation of bottle form, Dr Iskandar retains the elongated neck and small aperture-mouth that regulate liquid flow, but moves away from symmetrical bodies to create eccentric forms reminiscent of dancing or interactive figures.

Dr Iskandar embarked on a journey to Langkawi, where he encountered the 'well-and-bucket' system that stirred memories of Singapore's kampongs from the 1950s, which relied heavily on wells instead of pipes for water supply. Noting the widespread use...

Dr Iskandar's 'portrait' was inspired by the flair and showmanship of these swashbuckling adventurers and their famous battle cry "All for one and one for all!". The pots are depicted as united but still distinct, just like in the novel. Black...

Iskandar's "portrait" draws inspiration from the panache and bravado of these swashbuckling heroes and their iconic battle cry: "All for one and all for one!" The pots are united but still distinct, just like in the novel. Black 'Athos' is a father...

In a playful reinterpretation of the bottle's shape, Dr Iskandar retains its elongated neck and small mouth for precise liquid control, yet moves away from symmetrical bodies to create eccentric forms reminiscent of dancing figures or interactive...